“Well, conditions are quite harsh here. Our recommendation is all of our clients to invest all their resources into canned food and shotguns.” That bit of sage advice comes from the Brain Gremlin – a scientifically altered, talking, glasses-wearing member of the slimy Gremlin horde that infests Manhattan’s ultra-modern Clamp Tower skyscraper in helmer Joe Dante’s zany follow-up Gremlins 2: The New Batch. On the surface, it’s simply an portfolio pointer from one monster to another. However, in a strange manner, it’s also remarkably sound life advice. Honestly, listen to my reasoning.
When situations deteriorate, the biggest mistake you can do is approach matters with excessive gravity. The Brain Gremlin grasps this. Actually, most of the fang-bearing creatures that inhabit Dante’s unrestrained 1990 movie (debateably his greatest) possess the same knowing, self-referential sense of humour regarding the hazy boundary separating the mundane and absolute bedlam. It’s a single component of Gremlins 2: The New Batch that keeps me coming back – and as I age, it’s the theme that echoes the loudest.
Understandably, my fondness for this movie didn’t start on such an deeply thoughtful note. In my youth, we were limited to a few scratched-up video tapes at home. Part of that group were Gremlins and its follow-up, the latter housed in a thick former-rental sleeve likely purchased from an off-brand video shop and featuring grimacing beasts on its worn-out artwork. I was instantly captivated and these films did not delay inserting themselves inside my young, susceptible psyche. Henceforth, they became an near-everyday part of my youthful watching schedule.
Dante’s initial installment typically gets all the plaudits, thanks primarily due to its reputation as a semi-scary seasonal fave – and to be fair, I’ve watched Gremlins on countless occasions. Nevertheless, its successor rarely gets the same level of high regard, which feels a travesty. As a kid, I’d never miss an opportunity to watch Gremlins 2. During long summer holidays, I’d seclude myself indoors and play it. When I got my own TV-VHS combo unit, it remained on repeat in my bedroom. With repetition, it etched itself permanently in my mindset. If my parents observed this fixation, they didn’t seem to mind.
As I matured, new understandings enriched multiple watches, elevating the fun of watching small emerald creatures gleefully trash a New York high-rise. I learned the ahead-of-its-time real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was inspired directly by the later-to-be-president Donald Trump, with his auburn-haired worker Marla (Haviland Morris) alluding to his one-time partner Marla Maples. Thankfully, Clamp possesses greater compassion than his actual-world equivalent.
The “end of civilisation” video Clamp plays during the height of creature carnage? I discovered it was inspired by a actual “Doomsday” video commissioned by the CNN boss Ted Turner should the world really ended. I noticed how Dante made a special effort to film different iterations of a self-referential segment where Gremlins seize control of the very film you’re watching. An edit for movie houses, a separate one for tape and broadcast, each delivering a smirking slice of fourth-wall-breaking cultural alchemy ahead of its time.
While it was effects expert Rick Baker’s fantastically vile creatures that drew my gaze as a child, this deeper gold held my interest as an adult. Ultimately, I even conversed with Dante about it myself and he had no qualms revealing to me he made the movie with the direct intention of poking fun at those who loved its goofy-but-heartfelt predecessor and wanted more. “We were going to make fun of the fact you came to see it,” he happily revealed. This cartoonish insubordination and resolve to not take his sequel as solemnly as his Warner Bros bosses evidently expected, only made me love it even more.
When I endured a unexpected loss in the family not long ago, I was taken aback to discover that, during my heightest mourning, all I desired to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Perhaps not. The comforting familiarity it furnished was necessary to weaken my mind’s sadness sludge – but the perspectives it had bestowed upon me as an adult were just as useful.
Like Gremlins running amok in a genetics laboratory, there’s particular aspects in life you just are powerless over. Dante is aware of it. The Brain Gremlin knows it too. Sometimes, you have to follow their example: embrace the chaos, commit your entire being into preserved goods and firearms and try not to take things too seriously.
It’s powerful existential guidance from a highly unexpected fountain – and it’s why Gremlins 2: The New Batch will forever remain my feelgood film.
A digital artist and design educator passionate about blending traditional techniques with modern technology to create immersive visual experiences.